Spate Toran Sectory 01
Page 12

In landscape the English have had something to say peculiarly their own. It has not always been well said, the coloring is often hot, the brush-work brittle, the attention to detail inconsistent with the large view of nature, yet such as it is it shows the English point of view and is valuable on that account. Richard Wilson (1713-1782) was the first landscapist of importance, though he was not so English in view as some others to follow. In fact, Wilson was nurtured on Claude Lorrain and Joseph Vernet and instead of painting the realistic English landscape he painted the pseudo-Italian landscape. He began working in portraiture under the tutorship of Wright, and achieved some success in this department; but in 1749 he went to Italy and devoted himself wholly to landscapes. These were of the classic type and somewhat conventional. The composition was usually a dark foreground with trees or buildings to right and left, an opening in the middle distance leading into the background, and a broad expanse of sunset sky. In the foreground he usually introduced a few figures for romantic or classic association. Considerable elevation of theme and spirit marks most of his pictures. There was good workmanship about the skies and the light, and an attentive study of nature was shown throughout. His canvases did not meet with much success at the time they were painted. In more modern days Wilson has been ranked as the true founder of landscape in England, and one of the most sincere of English painters.

On January 21st we made a long and tedious march, rising all the time among slippery rocks along precipices, or sinking in swampy mud on the narrow trail. Picturesque waterfalls of great height were visible in volcanic vents, some square, others crescent-shaped, on the face of the mountain. The torrents, swollen by the heavy rains, were difficult to cross, my mules on several occasions being nearly swept away by the foaming current. We sank in deep red slush and in deep holes filled with water, but continued all the time to ascend a gentle but continuous incline. We travelled that day from six o'clock in the morning until six o'clock in the evening, rain pouring down upon us all the time. We were simply smothered in mud from head to foot.

A comparatively small number of insects pass the winter in the larval or active stage of the young. Of these, perhaps the best known is the brown "woolly worm" or "hedgehog caterpillar," as it is familiarly called. It is thickly covered with stiff black hairs on each end, and with reddish hairs on the middle of the body. These hairs appear to be evenly and closely shorn, so as to give the animal a velvety look; and as they have a certain degree of elasticity, and the caterpillar curls up at the slightest touch, it generally manages to slip away when taken into the hand. Beneath loose bark, boards, rails, and stones, this caterpillar may be found in mid-winter, coiled up and apparently lifeless. On the first bright, sunny days of spring it may be seen crawling rapidly over the ground, seeking the earnest vegetation which will furnish it a literal "breakfast." In April or May the chrysalis, surrounded by a loose cocoon formed of the hairs of the body interwoven with coarse silk, may be found in situations similar to those in which the larva passed the winter. From this, the perfect insect, the Isabella tiger moth, _Pyrrharctia isabella_ Smith, emerges about the last of June. It is a medium sized moth, dull orange in color, with three rows of small black spots on the body, and some scattered spots of the same color on the wings.

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