Spate Toran Sectory 07

Of course, Sylla thought that his great rival and enemy was now finally disposed of, and he accordingly began to make preparations for his Asiatic campaign. He raised his army, built and equipped a fleet, and went away. As soon as he was gone, Marius's friends in the city began to come forth, and to take measures for reinstating themselves in power. Marius returned, too, from Africa, and soon gathered about him a large army. Being the friend, as he pretended, of the lower classes of society, he collected vast multitudes of revolted slaves, outlaws, and other desperadoes, and advanced toward Rome. He assumed, himself, the dress, and air, and savage demeanor of his followers. His countenance had been rendered haggard and cadaverous partly by the influence of exposures, hardships, and suffering upon his advanced age, and partly by the stern and moody plans and determinations of revenge which his mind was perpetually revolving. He listened to the deputations which the Roman Senate sent out to him from time to time, as he advanced toward the city, but refused to make any terms. He moved forward with all the outward deliberation and calmness suitable to his years, while all the ferocity of a tiger was burning within.

This leads us to a consideration that I have delayed till now. The black image is the central feature of Oropa; it is the raison d'etre of the whole place, and all else is a mere incrustation, so to speak, around it. According to this image, then, which was carved by St. Luke himself, and than which nothing can be better authenticated, both the Madonna and the infant Christ were as black as anything can be conceived. It is not likely that they were as black as they have been painted; no one yet ever was so black as that; yet, even allowing for some exaggeration on St. Luke's part, they must have been exceedingly black if the portrait is to be accepted; and uncompromisingly black they accordingly are on most of the wayside chapels for many a mile around Oropa. Yet in the chapels we have been hitherto considering--works in which, as we know, the most punctilious regard has been shown to accuracy--both the Virgin and Christ are uncompromisingly white. As in the shops under the Colonnade where devotional knick-knacks are sold, you can buy a black china image or a white one, whichever you like; so with the pictures--the black and white are placed side by side--pagando il danaro si puo scegliere. It rests not with history or with the Church to say whether the Madonna and Child were black or white, but you may settle it for yourself, whichever way you please, or rather you are required, with the acquiescence of the Church, to hold that they were both black and white at one and the same time.

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